April 29, 2014
I fell in love with Mary Jane’s cardigan Jenny at the Fair when I helped out with the photoshoot for The Rhinebeck Sweater in 2012, and the photo below has been on the wall above my desk since last summer — I love the light in the picture. Before going to Rhinebeck this past October I made two of the cardigans from the book, a Pumpkin Ale and a handspun Sugarleaf Cardigan, but I still had plans to make a few more of the sweaters from the book.
High on the list was Jenny at the Fair and I knew I wanted to make my version out of the Nash Island Light from Starcroft Fibers that Mary Jane used, it’s pretty special. I think the Starcroft Fiber, Nash Island essay is one of my favourites from the book and I love that this sweater and yarn has so much history.
I didn’t quite manage to get my act together in time to have Jani the owner of Starcroft Fiber bring the yarn to Rhinebeck for me this past October — as we were too busy getting all the last minute things together for the book and then travelling to the US. But I did talk to Jani at Rhinebeck about the yarn and colours for my version. I absolutely love the colours in the original, but decided to go for something completely different. Given that there are only 16 colours in the range I think it’s pretty cool how different the two versions look. It sounds like there are going be be eight more colours later this year.
I gave Jani two colours that I liked for the main colour, Cove and Buoy, and four colours for the contrasts: Urchin, Whelk, Anenome and Clear Skies. But since Jani is the colour master I gave her free reign to change any of the contrast colours if she felt that something else would be a better choice. I tried to arrange having the yarn sent to a friend’s place in the US before I left but that just didn’t work out. A few months passed, I spent some of that time working on my Aunt Fred (I’ll cover that sweater in another post) and I put knitting Jenny at the Fair to the back of my mind. Then, near the end of January I got one of those emails that makes your day: ‘Hello Rebecca, I have your yarn ready!’ When the box of yarn finally arrived in Scotland I was super excited to open it as I had no idea what colours Jani had sent!
I love what I received, six skeins of Buoy and one each of Urchin, Whelk, Anemone and Clear Skies, along with a cute note included in the box! I took the photos above the next morning and then started winding yarn. I soon realised that I had enough of each of the contrast colours that I’d be able them in any order — too many choices! I swatched to see if that would help me decide, but nope, I still had no idea what order to use the contrast colours in.
Then I remembered I’d used my large sketch pad and pencil crayons to help me plan out the stripe order for my Benton and figured it work for this as well. So I roughly drew out an outline of the main chart and then coloured it in a few different ways. Turns out I liked the first version I coloured in the best, and it was the one I ended up going with.
When I knit tops I normally add in bust darts, but because of the cut and oversized style of this cardigan I decided against it. I did have a quick chat with Ysolda about it (one of the perks of working for a designer who has written a book about fitting sweaters!) And she agreed bust darts weren’t really necessary for this sweater.
The one modification I did do was to knit the sleeves from the size smaller, I’m not a fan of big dangly cuffs — they drive me crazy. So I went with the 43 1/2 inch size for the body of the sweater and the 40 inch size for the sleeves. The knitting of the sweater went pretty quickly and I think it only took be two weeks to finish it after I got the yarn. The sweater I’m knitting now seems like it’s going so slowly and the needles feel tiny! But that’s not surprising when you go from knitting on 5.5mm needles to working on 2.75mm needles.
After steeking my cardigan I still needed to choose buttons. It’s a pretty big sweater to cart around looking for buttons so I only took the swatch with me to John Lewis and found some awesome pink buttons.
Then I started wearing my Springtime at the Fair everywhere, the only issue I have is it’s too long for all my spring coats. It looks a bit funny sticking out the bottom of my rain jacket, but a waterproof of some kind is normally a requirement in Scotland so I can deal with a slightly strange outfit if it means I can wear my cardigan.
Oh and I decided springtime was also a good time to get my hair cut shorter again. And don’t worry I didn’t actually ride my bike on the pavement, but I didn’t want to get hit by a car standing in the street.
March 29, 2023
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February 03, 2022
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Tombreck - a free chevron beanie pattern
Working the brioche neck detail on the Polwarth sweater
Installing a zipper and ribbon, finishing wee Carson
Yarn colour ideas for Threipmuir sweater
Additional colourways for the Joy mitts (choose your pride flag)
How to join the shoulders on Wardie
How to join the pockets on Granton and Wardie
Finishing Resources for Granton
Broughton mittens tutorial part 1
Broughton mittens tutorial part 2
Broughton mittens tutorial part 3
Decorative Channel Island Cast-on
3 Easy Stretchy Bind-offs (p2tog bind-off; k2togtbl, k1 bind-off; Jeny's surprisingly stretchy bind-off)
Tubular Bind-off for brioche stitch
Paired increase methods compared
How to continue in pattern while increasing and decreasing
Brioche stitch double decreases
How to Knit in the round using Magic Loop
How to Knit in the round using DPNs
Avoiding ears when binding off
Tighter purl stitches for neater cables and ribbing
Cabling without a cable needle
How to knit more symmetrical yarn overs
Bust darts in sweaters with all over stitch patterns
A magic formula for evenly distributing shaping
Superwash v Non-Superwash Wool
Picking up sts from the middle of the fabric
Understanding "continue in pattern"
Help! Where am I in my knitting project?
Using charts, even if you hate them
Joining the body and sleeves on a seamless bottom up sweater
Ysolda’s sizing chart for knitwear designers
How to pick a garment without a model for you (specifically addresses finding garment patterns when your gender identity isn't represented and the styles you want to knit might not be sized to fit your body)
How does ease affect inclusive size ranges?
Identifying and fixing mistakes in lace knitting
Getting started with stranded colourwork
Understanding colour dominance
Working stranded colourwork over small circumferences
Decreases in stranded colourwork
Holding the yarn for stranded colourwork
Ladderback Jacquard (a neat way to deal with long floats)
Cabling without a cable needle
Cabling without a cable needle on the wrong side
How to knit cabled decreases
Closed ring cable increases and decreases
How to work brioche stitch in the round
How to begin your first large cross stitch project
How to finish a cross stitch project with an embroidery hoop frame
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